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Cinematography

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May 14, 2010

You will see a great way to light and set up a blue/green screen for your next video. There are a lot of tips that will come in handy if you want to film on a blue/green screen and don't want to pay o ...

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May 10, 2010

HDDSLR Guru, Philip Bloom, quickly demonstrates how to convert 50P and 60P footage captured on Canon DSLR's to slow motion for a hyper-cinematic effect. It's really simple; just a few clicks and you' ...

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May 6, 2010

Chicago Sun Times movie critic Roger Ebert hates 3-D. And when I say hate, I really mean hate. Check out Ebert's excerpted nine points below via Newsweek.1. IT'S THE WASTE OF A DIMENSION.Our minds us ...

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May 2, 2010

How do you top a movie like Avatar? James Cameron's recent release pioneered in 3D technology, and was the first film to gross more than $2 billion, as well as being the highest grossing 3D movie of a ...

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Apr 30, 2010

Want to move quickly from indoor to outdoor shooting environments without having to futz with the manual controls on your video camera to adjust for the disparate light levels? If so, you should give ...

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Apr 30, 2010

A common problem when shooting in low-light situations is that even if you open your lens to its lowest f-stop number, you're left with an image that's far too dark. One obvious remedy is to add more ...

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Apr 27, 2010

When shooting a traditional-style interview, one of your jobs as cinematographer is to think about lighting so the viewing audience doesn't have to — that is, the lighting should serve and most not di ...

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Apr 9, 2010

This is a video that is showing its audience how to use the electronic image stabilization or digital image stabilization on their digital cameras. Image stabilization is a good function to have on wh ...

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Apr 9, 2010

In this video, Tony Reale describes some cinematography tips for video lighting. He focuses mainly on different ways to capture the look of video. The lighting style he's using in this video is a 2-li ...

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Apr 8, 2010

When a scene is filmed, problems can occur in the final outcome of a scene if the white balance is not set correctly. If the white balance is off, a scene may look too orange, blue, or the color is ju ...